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Giant Pictures acquires Oscar-nominated “A House Made of Splinters” for U.S.
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Extra: France TV to distribute “Slava Ukraini”; Australian male revue stars take on HGTV title
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Boat Rocker, Anonymous Content partner on feature documentary
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“Navalny,” “The Janes” honored at 2023 duPont-Columbia Journalism Awards
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Filipina-Canadian director Thea Loo’s debut feature doc set for 2024
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Participant Media prepping doc on psychedelic treatment for Navy SEAL vets
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“Twice Colonized” doc to open CPH:DOX 2023
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SXSW unveils additions for doc spotlight, reveals more selections
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Extra: Berlinale adds Donna Summer doc to lineup; TVFI’s sales to North America
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Sundance awards Grand Jury prizes to “Going to Mars,” “The Eternal Memory”
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Sundance ’23: MTV Documentary Films acquires “The Eternal Memory”
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Sundance ’23: “Food and Country” filmmaker covers pandemic’s effect on food systems
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Sundance ’23: “A Still Small Voice” filmmaker on balancing creativity and empathy
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Sundance ’23: “Fantastic Machine” makers on the TikTok-ification of reality
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Sundance ’23: “King Coal” helmer on regional stories and going beyond realism
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Sundance ’23: Magnolia acquires D. Smith’s “Kokomo City”
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Sundance ’23: “20 Days in Mariupol” documents early days of Russian invasion of Ukraine
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Sundance ’23: “Invisible Beauty” team on erasing the line between filmmaker and subject
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Sundance ’23: “Kim’s Video” makers on “breaking the law” for the sake of cinema
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Sundance ’23: Realscreen’s editorial picks of docs to watch
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Sundance adds feature doc “Justice,” on Brett Kavanaugh controversy
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BAFTA releases full list of nominations for 2023 awards
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Sundance ’23: Little Richard doc director on restoring the icon’s legacy
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Sundance ’23: Sundance programmers on what to watch for at this year’s edition